Edgar Degas
Edgar Degas's Oil Paintings
Edgar Degas Museum
19 July 1834 - 27 September 1917. French painter.

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TIZIANO Vecellio
Profane Love (Vanity) art
1514-15 Oil on canvas Alte Pinakothek, Munich
ID: 09308

TIZIANO Vecellio Profane Love (Vanity) art
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TIZIANO Vecellio Profane Love (Vanity) art


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TIZIANO Vecellio

Italian painter, Venetian school (b. 1490, Pieve di Cadore, d. 1576, Venezia).   Related Paintings of TIZIANO Vecellio :. | Portrait of a Man in a Red Cap er | Francois ler,roi de France | Pope Paul III with his Nephews Alessandro and Ottavio Farnese ar | Emperor Charles V at Mhlberg ar | Le souper a Emmaus |
Related Artists:
W.H.D. Koerner
1878-1938
kristina forsten

Reinier Nooms
(c. 1623 ?C c. 1667), also known as Zeeman (Dutch for "sailor"), was a maritime painter known for his highly detailed paintings and etchings of ships. Nooms was born and died in Amsterdam. He started painting and drawing in his later years, following a rough, drunken life as a sailor. It is not known how he acquired his skill as an artist. His knowledge of ships is evident from his work: ships and foreign locations are depicted with high accuracy and in great detail, and served as an example to other artists of how to depict ships. A widely traveled artist, Nooms visited Paris, Venice and possibly Berlin, and also journeyed along the coast of North Africa. A favourite subject of his paintings were the Dutch victories in the Anglo-Dutch Wars. For instance, he painted the Amalia, the flagship of admiral Maarten Tromp, before the Battle of the Downs in 1639. This painting now hangs in the National Maritime Museum in Greenwich, UK. His painting of the Battle of Leghorn in 1653 is in the collection of the Rijksmuseum in Amsterdam. In the 1650s, Nooms made a series of etchings of ships and topographical views characterized by a high degree of detail and precision. These etchings served as an example to many artists. The 19th century French etcher Charles M??ryon was highly influenced by Noom, whose etchings of Paris cityscapes inspired M??ryon to his own series of Paris etchings. M??ryon even dedicated some of this work to Nooms in poetic form.






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