Edgar Degas
Edgar Degas's Oil Paintings
Edgar Degas Museum
19 July 1834 - 27 September 1917. French painter.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 137
Arab paintings, Arabic people's painting and their life. All the orientalism paintings are oil on canvas, painted by our talent artist.
ID: 47394

unknow artist Arab or Arabic people and life. Orientalism oil paintings 137
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unknow artist Arab or Arabic people and life. Orientalism oil paintings 137


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unknow artist

  Related Paintings of unknow artist :. | Classical hunting fox, Equestrian and Beautiful Horses, 224. | Classical hunting fox, Equestrian and Beautiful Horses, 029. | malning w hogarth | Portrait of konstnarens fader,dispaschoren and konstsamlaren Lucas Spread | Honselaarsdijk |
Related Artists:
Angelo Morbelli
Alessandria 1853-1918 Milan,Italian painter. He received his first lessons in drawing in Alessandria, and in 1867 he travelled on a local study grant to Milan, where he was based for the rest of his life. He enrolled at the Accademia di Brera and from 1867 to 1876 studied drawing and painting there under Raffaele Casnedi and Giuseppe Bertini, whose influence is seen in both the subject-matter and technique of his early works. These include perspectival views, anecdotal genre scenes and history paintings. In the Dying Goethe (1880; Alessandria, Pin. Civ.) the theatrical setting, enriched by a sophisticated execution and a well-modulated use of colour, derives from the teaching of Casnedi and Bertini, while the historic-romantic quality of this painting also recalls the style of Francesco Hayez.
CIGNANI, Carlo
Italian Baroque Era Painter, 1628-1719 Italian painter and draughtsman. He was the leading master in Bologna during the later decades of the 17th century, commanding a position of authority comparable to that of Carlo Maratti in Rome. He bore the title of Conte, and his biographer Giovan Pietro Zanotti wrote that he 'always worked for glory, not for need'. Zanotti's emphasis on Cignani's 'new manner' refers to the reflective, intimate mood of his art, presaged in the later pictures of Guido Reni and Guercino, and in those of Simone Cantarini. This gentle manner, which prevailed in the second half of the 17th century,
francois sablel
Jean ISABEL and Marie Charlotte BACON. She was married to Jean Baptiste BLANCHETTE on Feb 27 1775 in St. Pierre, Quebec






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